Whoever or whatever reads this blog with any regularity may remember that last year I conceieved of a musical project called “The Devil Makes Three”…
I designed it along the lines of Tom Waits’ “Orphans” trilogy – each volume linking together to create a larger picture whilst also functioning as a standalone album. I had a very clear idea of what I wanted to say with Vols. 2 and 3 from a creative standpoint. Their soundscapes were different from each other but clearly defined and I felt that they complimented each other nicely. If one listened to them in numeric order they formed a progression of musical style that said (to me) outward hunter/prey to inward haunting/personal.
The problem was that Vol. 1 was 1) only vaguely defined in terms of what I wanted to say creatively, 2) very literal in it’s interpretation of that creative goal, and 3) articulated through the tastes of others rather than a better representation of my taste… and as such also didn’t fit stylisticly into the broader picture. It provided no real conceptual or narrative development in the project as a whole and, in my mind, made it impossible for any (totally fictional would-be listener) to *want* to progress to the others.
I also realised that the three volume set was totally lacking in metal and metal adjacent genres… which was ridiculous as I listen to mostly metal/shoegaze/gothic psych doom rock nightmare-fuel-cruel-harpy-demonic-witch-magical-shapeshifter-shit by faaaarrrrrrr the most in my life!*
Having finally acquired a new (to me) computer, I can now post the finished result. I’m actually really proud of it!
I may do more proper liner notes for each disc in the future because I have really built in a LOT of stuff that I’d like to document… Imagine, if you will, that a witch can live and tell you stories by wearing music as a kind of sonic glamour. That.
But for now, Vol. 1 is called “The Words They Hear”.
If you were to ask, "What is it like to be a born a changeling witch?", or, "What was it like to be a child stuffed to the brim with dark magick?", or, "What does Badb/Nemain sound like to those with an ear to hear them?"
...you may consider this mix to be *an* answer.
In keeping with the rest of the project, there are 15 tracks on the album. There is some chronological progression but this is not an obligatory interpretation. Explicit mention of the Devil themself appears in the tracklisting – in this case you will note that I have featured Gil Scott-Heron’s genius track “Me and the Devil” …which then makes a distinctly more femme-gendered appearance in a Soap&Skin cover on Vol 2.
I would also like to point out the explicit recurring celestial rise/fall/rise theme on this volume… Also “Orion” is an explicit name I have called a certain thing in my life since I was a …teenager? That’s the first time it shows up in my poetry at any rate. But enough concept teasers, here’s the playlist:
Here are links to Vol 2. “The Stories They Tell” and Vol. 3 “The Tongues They Hold” for anyone interested in listening to the rest. As I said, I’ll likely write about each mix in their own dedicated blog post at some point. For now, I think it’s better that any would-be listener just develops their own relationship to the compilations but…
If Vol 1. is Badb/Nemain...
Vol 2. could be considered Macha and...
Vol 3. Anand.
Though of course, they’re all three all three all of the time.
~ Saoirse.
PS. At some point I also want to draw detailed and specific cover art for each one… because I have nooooo chiiiiiiiiill!
*There are some exceptions of note – one example in this mix is that I don’t listen to The Yagas as a band… but I do like “The Crying Room” as a track.
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