So we’re officially entering summer-like weather here in Ireland which, of course, means I’m losing my will to think. I have, however, been steadily working away on various creative projects the past few months and my aim is to continue this emphasis on gradual progress. It’s causing an interesting layering of imagery in my projects as well which, ideally, will lend itself to something like stylistic and symbolic cohesion…
For some important context on this post, I have previously written about Sexual Identity, Sexual Expression, & Gender Alignment + Tarot.
The idea for my latest video had it’s origins in a conversation with a friend. We were talking about the impact (over the years) of specific moments where you’re shown what you really aren’t to someone else… human, in this case. I brought up Cake’s “Friend is a Four Letter Word” being pointedly played at me as an example to which she replied “UGH what girl of a certain age HASN’T had that song used at them!?”
To which I would like to add, I’m sure there are a lot of people who used that song either at others or even at *themselves* to absorb or express something toxic that so many of us have internalised.
I myself don’t have the strongest bond to the “she/her” social identity. I have explained this in part in the aforementioned blog post. I don’t spend time calling myself a ‘girl’ or ‘woman’ in my head. That’s something that other people call me… usually the rudest people I know, too. I am less and less willing to have “she/her” plastered everywhere and have been opting instead for “she/they”… and the magical and artistic process behind this video (and other projects) has helped me to draw a crucial line in my life more generally: I can no longer sustain connections with people who see me as a ‘girl’ before they see me as a person.
Good conversations with good friends inspire so much don’t they!?
Thus, rather belatedly, it struck me that this was a bigger picture issue… but in my case this needless dichotomy that as a femme-ish person I may *either* feel human *or* sexual but not both in a patriarchal system has taken on this rage infused haunting quality. Of course, we see this theme all throughout demonic witchcraft tropes and mythic narratives and it’s not accidental at all that the goddess under whose auspice I live is imbued with sexual identity and expression… in a shapeshifting and often horror-based way!
In my opinion sexuality in general is a deeply fluid & poetic thing. It is beyond gender, of course, because gender is non-binary and sexual preferences and identity isn’t really map-able. It’s much like magic. Felt, learned, practiced, explored, poured out, drunk in, sung, quietly spoken… everything everywhere and nothing nowhere all at once. In the mind and/or in the body as you please. Mythicly real and woven from autonomy, agency, and consent.
People don’t get to hear nearly often enough how sensually beautiful they are… because humans really can be like living walking poetry. Embodiments of sacred verse! Yet time and space are wasted in saying you are either ‘friend’ to me or ‘something more’!? What is “more” in this scenario!? I was a mystical sexual being before I met almost everyone I know now (as well as certain people I knew *back then*) and I continue to be when people leave my life story. Yet somehow I could still read a book, climb a mountain, perform in concert halls across cities and countries, have thoughts and opinions all my own about whatever I wish… and appreciate the sensory, sensual, and sexual beauty of my friends regardless of gender.
One thing I have been doing for these projects is constructing “what’s playing in the studio” mixes. I made three that function as a whole unit (not unlike Tom Waits’ “Orphans: Brawlers, Bawlers, & Bastards” trinity) but that can also be listened to individually. Each one has a loose narrative structure on its own but as a group of three albums they also progress from the more collective/general (and femme)* to the more vulnerable/authentic/personal.
*[Edit February 2026 – dissatisfaction with the lack of direction and gendered nature of the first playlist has led me to re-do it to represent the idea of cosmically ‘heard’ words & magical power… making all three volumes subjective and biographical, “auto-” or otherwise. The new thematic progression might be said to be Volume 1 – (Changeling) Words/Volume 2 – (Murder) Stories/Volume 3 – (Nonverbal) Tongues…]
I made the second ‘disc’ first and it’s the one that fed most directly into the video above.
Each one features 15 tracks… see what I did there, tarot-nerds? ^_^ They’re mostly what they say on the tin except for three things: 1) it is worth bearing in mind the unreliable narrator as well as the idea of incompatible yet simultaneous truths; 2) these are not necessarily a faithful representation of *my* taste (although of course, they are born from the limitations of my exposure***); and 3) the third album is my answer to the question “what would I play if I let myself really say what I wanted to say musically?” Note, there are almost no lyrics or words on it at all.
Unfortunately, I can only make these available through youtube at the moment because the third album has two tracks I had to alter slightly to allow for a more natural fade into the next track. If anyone knows a good, free, freely available, and less-ad-ridden way to host these let me know!
Lastly, I’ll give you a visual glimpse of one of my other recent projects completed as part of this on-going process:
I made myself earrings inspired by the Devil’s foot in Jim Henson’s the Storyteller! You can barely tell, but I am wearing them in certain shots in the video (and in the header image for this post!) The screencaps above are taken from ‘the’ tube but I *DO* own a copy of the DVD series with John Hurt (I don’t have the Greek myths with Michael Gambon and have actually never watched them either.) These are paper mache clay, acrylic paint, and varnished to make them water proof etc.
Ok that’s all for now. Bear in mind, this is all a work in progress and likely poorly expressed! Back to feeling demotivated in the gathering heat.
~ Saoirse.
*** For example, Laura Marling features on the second album twice but I have REAL issues with her worldview as an artist. She’s made some good music in the past, that is all.